The Flop House Episode Fifty-Seven is ONLINE

Elliott and Dan are joined by Eric Zuckerman, an actor who's appeared in many films--including one starring patron saint of flop Gerard Butler--to discuss the slasher film Sorority Row. Meanwhile, in a star-studded podcast, Eric completely fails to give us inside information about Carrie Fisher, Dan is pimped into busting out his Michael Caine impression, and Elliott will not shut up about Anne Hatheway.

0:00 - 0:36 - Introduction and theme
0:37 - 8:10 - Before getting down to business we discuss Stuart's vacation, Dan's nasal surgery, and the acting career of guest host Eric Zuckerman.
8:11 - 39:48 - We talk about Sorority Row, the remake of House on Sorority Row, which, of course, was a remake of Erich Von Stroheim's Greed, based on the novel Push, by Sapphire.
39:49 - 44:17 - Final judgments
44:18 - 52:00 - Flop House Movie Mailbag
52:01 - 59:14 - The sad bastards recommend.
59:15 - 59:53 - Goodbyes, theme, and outtakes.

VOTE FOR DAN'S HOOK!

If you don't want to enter the "GIVE DAN A HOOK" contest, but still want to hear the DVD commentary we did for John Ott's short horror film, STULL, you can just purchase the thing outright, by going here.

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Wikipedia synopsis of Sorority Row

Recycling Center: Fist City Edition

In case you missed it, here's the essay I read on Fist City last night. Of course, the best option is still to subscribe to the podcast, and listen to my mellifluous voice as I read it to you--because, really, who has the time in this busy modern world to read something for yourself? I come in at about the 45 minute mark of the show (actually the 1:45 mark on the podcast, since Fist City shares its 2-hour slot with The Rev Clempson Show). Not that you shouldn't listen to the rest of the show, as it contains much Elliott Kalan and Brock Mahan hilarity, with a guest appearance by Eric "War of the Worlds" Zuckerman.

But for those of you who read blogs, yet fear podcasts (a small minority, to be sure), here's what I read:

---

Thanks, Brock and Elliott—I’m here to discuss what is probably the most significant literary find of the last two hundred years, and, since you’ve assured me that this radio show is broadcast directly into the homes of all the Nobel Prize committee members, at least insomuch as they all probably have Internet connections, I’ve decided to unveil it here.

I have discovered a lost folio of Shakespeare, what I like to call the Director’s Cut With Alternate Endings Folio, or the “Caesar Stabbed First” Folio. It contains several surprising variations on his well-known plays, apparently the result of extensive focus testing with Globe Theatre audiences; budgetary constraints; and the ever-present danger of execution at the hand of Lord Wessex, as played by Colin Firth.

Many of the alternate versions are quite shocking. For instance, in this version of Hamlet, after everyone has apparently died, it is revealed that all the events of the play had merely been a charade set up by Hamlet’s uncle Claudius, in an attempt to cheer him up and get him to act less, quote, “Danish.” Then Rosencrantz comes in and gives Hamlet a shirt, which reads, “I wast drugged and left for dead in Elsinore, and all I received in return wast this inferior tunic,” with a logo on the back, reading “The Goodnight Sweet Prince Tour, 1502.” Similar tunics were available from Globe Theatre hot dog vendors, who, incidentally, sold real canines cooked over a spit. Apparently, this ending was insisted on by Shakespeare’s producer who, after seeing the lousy receipts for Titus Andronicus, decided that family audiences wouldn’t pay to see bloodbaths.

Or consider the original ending to The Tempest, in which the title character (The Tempest) returns to seek revenge against Ariel by throwing a series of CGI cows at her (CGI meaning, of course, Cow Gaffer Invented -- the chief carpenter apparently rigged up some pretty convincing paper mache cows). Or an early King Lear, all about a dirty old man who spends the play leering at his three daughters, a concept that was only abandoned when Christopher Marlowe told Shakespeare that he found it, “a little thin.”

Additionally, the folio contains some revealing commentary, apparently from a scholar contemporary to Shakespeare. For instance, one tidbit about “the problem plays” – so named because they have the problem of not being as good as the rest of his plays – it turns out that they’re a little uneven because they were originally just one big play, composed over a poppy-fueled long weekend, the original title being, Measure Measures All That Troilus Well for Cressida before Winter’s End, and the Tale of the Well Merchant, Timon of Athens, of Venice. It was an 18-hour mess.

And that’s not even getting into the lost plays that I found in this folio. Like Love’s Labor Won – that’s basically just wall-to-wall hardcore sex. 13th Night, where Malvolio returns wearing a rugby mask to slaughter the other characters while they’re vacationing at Camp Loch Ness, and the sequel to As You Like It, called Whatever You Want which was the first choose your own adventure play.

Oddly, I found this folio while cleaning out my garage, in a box labeled “Stuff That Didn’t Come from England,” and the paper it’s printed on has a watermark reading “Ben Franklin Bond” which would seem to date it post-Shakespeare’s lifetime by a significant margin, but I’m certain this find is genuine—so certain that I’m willing to split half of my aforementioned Nobel Prize monies with any expert that agrees with me… wink wink Harold Bloom. Anyway, the folio’s for sale, so if you’re interested, call up the studio. I’d prefer to sell to a museum, of course, but I’ll listen to anyone with cash money. Oh, yeah, no fatties.

Brock? Elliot?

The Primetime Kalan: THE FINAL EPISODE Recap

The final Primetime Kalan was this Saturday past, and I think the occasion warrants a show synopsis.

The audience took their seats to a DVD of the world's worst cartoons, projected on the back wall, and once the (sell out) crowd was settled, things got rolling. Elliott got up and did his monologue, about his recent 25th birthday, and thathis newfound adulthood sadly means that he'll never acquire the label "child prodigy." However, it's the perfect time for a retrospective, so he introduced that evening's show "A Celebration of 25 Years of Kalan."

To help explain why this anniversary show was also the final show, Elliott brought me up to interview him. After some tension, resulting from my no-holds-barred, hardball style (I quizzed him about why he was putting me out of work), he explained that he wanted to end things now so he could go out on top. I disputed his position that doing a show in the basement of an East Village bar was, in fact, going out on top, but Elliott remained unswayed. To my query as to why he refused to sell me the name for $10,000, so I could do "The Primetime McCoy," he said that he felt a spin-off would "weaken the brand," and that it wouldn't serve the core goal of "getting the Kalan name out there." He was firm in his decision to retire to his mansion, play tennis, and contribute the occasional joke to Letterman. When I asked to visit the mansion, he said no.

We then had a video from former Primetime Kalan director (and current assistant on the Flava Flav dating show Flava of Love), Joe Guercio. He wished Elliott a happy birthday, while casually knocking over several videotapes.

This was followed by an audio greeting from Brock Mahan, Elliott's longtime writing partner. He gave Elliott a touching testimonial, taking time out from his busy life of berating a Hawaiian desk clerk for not properly booking the Aloha Suite for himself and "LonelyHousewife69."

It was then time for a look back at Elliott's turbulent life and times. A video montage of scenes from the 80's gave way to the 90's, and then to black and white cartoons and footage of the 1936 Olympics. Finally, the scene shifted to the shooting of JFK, and the eternal flame, ending with a picture of Elliott and the caption "Elliott Kalan, 1981-2006." Elliott objected that the video made it seem like he'd died, but Erik assured him that it was just "in memory" of all the entertainment he's provided, specifically between the years of '81 and '06.

Erik went on to say that there were a few memorial notices from companies whose products Elliott had consumed while alive. Goldfish Crackers sent a notice recognizing Elliott life, and spoke of plans for limited edition Elliott-flavored crackers, "in the shape of all of Elliott's favorite things," including Spider-Man, Frankenstein's monster, and soft-core Cinemax porn. Coca-Cola also sent condolences, quoting Elliott's interview in "Beverage Aficianado Magazine," in which he'd stated his desire to be buried in a casket filled with Coke, and"slowly dissolve into his favorite drink." They also sent a complimentary bottle of Coca-Cola Blak. Lastly, the makers of black t-shirts sent a message saying that "When Elliott stopped wearing black t-shirts with old horror movie posters on them, tucked into black jeans, it stopped being cool."

Then The Daily Show's John Oliver got on stage, to deliver Elliott's eulogy, over Elliott's repeated protests that he was, in fact, still alive ("Please Elliott, this is going to be emotional enough as it is, without you standing there talking.") Oliver spoke about how difficult it was to lose such a man in the same week that we lost Augusto Pinochet, continuing about the parallels between them. He had the audience play a game, in which he invited them to guess whether a given quote was from Kalan or Pinochet. (Surprisingly, "Where's my Woody Allen boxed set" was from Pinochet.) He discussed rumors that Elliott had done marvelous things like invent a new vowel, one that will now be lost to linguistic history. Summing up, he stated that he would always remember Elliott as "A man I met recently, knew for a short bit, and then died."

I had to duck out for holiday-related reasons at this point, but I know that Daily Show writer Scott Jacobson showed up to sing a heartfelt song.

Also, Elliott's son memorialized him, remembering the time his father took an unpaid internship at Dean Witter to become a stockbroker and support his family. "When I felt him hold me in his strong black arms," he said, "and felt his moustache bristling against my forehead, I knew everything would be all right." Elliott was touched, until he realized that it wasn't actually his son, just a guy reading the plot to the hit Will Smith vehicle, The Pursuit of Happyness. Revealed as actor Eric Zuckerman-- best known as "Doomsday Guy" from Stephen Spielberg's War of the Worlds, Eric announced that he would be signing autographs after the show for $5.

Then the show wrapped up with Elliott's traditional Ramble/ Rambo Room and Doogie Howser Computer Journal segments. A fitting end to an always goofy, sometimes great, often poorly-attended show.

However, cry not, because I expect to continue to work with Elliott (pretend estrangement notwithstanding). In fact, I will be appearing on his new East Village Radio show "Fist City" this Thursday the 21st at 9 PM - hopefully just the first of many appearances, that is, unless he gets too big for me, because... (important news to follow in the next paragraph)

...He's gotten a promotion. He's now not a mere Associate Segment Producer on The Daily Show, but a Segment Producer on The Daily Show. Thus, in between buying me drinks and lighting up imported cigars with $100 bills, he can call himself a television producer without the slight twinge of semantic guilt he felt in the past. Congratulations, Elliott! And Happy Birthday!













Elliott Kalan: 1981 - 2006

Show Photos

Here's a picture from the Very British 4th of July show, which Eric Zuckerman and I hosted in the guise of Bob Hoskins and Michael Caine. I'm the hatless one who looks nothing like Caine.



Thanks to my lovely wife for the photo. Larger version available here.

Update: I'm adding the following picture of Eric and me drinking. Previously you had to follow us around until we went to a bar and wait a couple seconds to get this kind of sweet, sweet action. Thanks, Internet!



And lastly, here's one of Matt Koff, from the Summer Funtime Special, to disturb and alarm you.

5th of July Spectacular, Tonight

Hot off the promo presses...

Join hosts Michael Caine and Bob Hoskins (really Dan McCoy and Eric Zuckerman) for an evening of sketch comedy and 4th of July related festivities. This may be your only chance to celebrate America's Independence with a pair of award-winning British actors. And isn't that the way George Washington would have wanted it?

With sketch comedy by The Summer Funtime Special, Freedumb and a special sneak preview of Uncle Sam's Satiric Spectacular.

A Very British 4th of July
presented by Manhattan Comedy Collective
Hosted by Michael Caine & Bob Hoskins
with sketch comedy by Freedumb, Uncle Sam's Satiric Spectacular, and The Summer Funtime Special
Wednesday, July 5th at 8:00pm
at Jimmy's No 43
43 E 7th St. (downstairs)
between 2nd/3rd Ave.
6 to Astor Place;R/W to 8th St., F/V to 2nd Avenue
$7.00 - No Drink Minimum
Advance Tickets available

Caine and Hoskins, Together Again, July 5

Because our Michael Caine and Bob Hoskins schtick so took the world (well, that portion of it that was in our audience) by storm back in January, my colleague Eric "Doomsday Guy" Zuckerman and I will be hosting yet another variety show in the guise of the world's favorite famous Cockneys. So come celebrate American independence, one day late, by spending the night with two Brits. It's:

A Very British 4th of July
presented by Manhattan Comedy Collective
Hosted by Michael Caine & Bob Hoskins
with sketch comedy by Freedumb, Uncle Sam's Satiric Spectacular, and The Summer Funtime Special
Wednesday, July 5th at 8:00pm
at Jimmy's No 43
43 E 7th St. (downstairs)
between 2nd/3rd Ave.
6 to Astor Place;R/W to 8th St., F/V to 2nd Avenue
$7.00 - No Drink Minimum
Advance Tickets available

Summer Funtime Update

Just a reminder that The Summer Funtime Special is this Thursday the 18th at 10 PM. We've made a slight casting adjustment-- Rick Murphy will not be appearing in the show (lay off the sauce, Rick!*). Instead, we're pleased to announced the addition of Jeremiah Murphy to the cast. We figure, what the heck? One Murphy's as good as another. We're also pleased to announce that our director will be Mr. War of the Worlds himself, the Hoskins to my Caine, Eric Zuckerman. Feel free to applaud.

The Summer Funtime Special

Starring: Rob Bates, Matt Koff, Stacy Mayer, Dan McCoy, and Jeremiah Murphy.

Written by: Matt Koff, Rob Bates, and Dan McCoy

Directed by: Erik Zuckerman

The Gene Frankel Theater Underground 24 Bond Street (AKA East 2nd St.)
It's on the north side of Bond Street, between Bowery & Lafayette, in the basement space.
$5 for the 10 PM show, or you can see the whole MC2 Thursday line up for $10 (includes a drink ticket). Making things bold is fun.

It's the only show you'll see this year whose title is an anagram of "Fiancee sperm multi sum." That has to count for something!

*This is, of course, a joke. Mr. Rick Murphy is a fine human being, who could not appear in the show for scheduling reasons, and not because of any substance abuse problems, although he's totally a falling-down lush, and you can tell him I said that.**

**Libel suit, here I come!

Quick Update

The release of Captains in Space episode three has been slightly delayed, due to some effects tweaking, but it should be available for download tomorrow.

In the meantime, if you want an Internet comedy video fix, may I direct you over to Rob Bates' blog, where you can find a link to the very funny short "Asshole Actor." I had nothing to do with its production, I just post it here because I've worked with all the folks involved, and I like them and it.

Have a nice Friday. But try and cut down on your drinking, huh? I'm worried about you.

"Update, or: In Which I, Your Humble Host, Hit You Over the Head with a Four-by-Four"

As promised, here is the information about my appearance on Saturday:

Eric Zuckerman and I will be hosting 4x4, a series of four ten-minute comic plays (why that doesn't make it 4x10, god only knows), at the Gotham City Improv.

Cost: $10 (or $2.50/ play)
Time: Saturday, January 28, at 8:30 (length of show approx. 1 hour)
Location: 158 West 23rd St., 2F (above Monster Sushi)
Directions: Take the C. E, N, R, 1, 9 or F to 23rd Street then walk towards 7th Ave.

Mr. Z and I will be hosting as Caine and Hoskins-- meaning that I will be doing my inimitable Michael Caine impression and Zuckerman will be doing his incredible Bob Hoskins impression... which got me to thinking: have these two Cockeney acting titans ever done a movie together? And if not, some producer needs to get the two of them together IMMEDIATELY. It turns out that they have done one film together, Neil Jordan's 1986 British gangster-romance, "Mona Lisa." But they were hardly co-stars. I was thinking something more on the order of this:

CAINE.................... HOSKINS

in

LIMEYS!

Or, even better...

CAINE.................... HOSKINS

in

BLIMEY!

Could be great...

In the Bleak Midwinter

Well, it's been a while since I've updated this thing, and that's not because I've forgotten you, dear reader (how could I ever forget YOU?), but because there's not much that's been going on. I've allowed myself to succumb to post-holiday laziness. However, things should be picking up from here, and if you've been jonesing for some Dan-related comedy (which puts you in about the one-millionth of one percent of the population-- although, luckily, most of that percentage knows about this calendar/ blog), then you're in luck.

Yes, in my first performance since 2005, I will be appearing this Saturday evening from 8:30-9:30, co-hosting a slate of four ten-minute plays... the perfect length for a play, in my easily-distracted opinion. My partner in this endeavor will be one Mr. Eric Zuckerman, whom you may know as "Doomsday Guy" from the 4th highest-grossing film of the year*, War of the Worlds. That's right. I'll be sharing the stage with someone who has recieved valuable direction from Mr. Steven Spielberg himself-- direction that possibly included, "Look over there," and, "Louder."

I don't know all the details just yet (Mr. Z is running point on this operation and he has yet to apprise me of all the ins and outs) but I wanted to warn you immediately, in case you needed to clear your already sparse Saturday-evening calendar. As soon as I know all the salient information, I'll post it right here.

In other news, following my semi-award winning TV spec scripts that have completely failed to win me an agent as of yet, I've decided to write a screenplay. Just as soon as I, y'know... figure out how to do that.

Also, production is underway on multiple episodes of the video podcast "Captains," mentioned in the link bar to the right of your screen. It's a little comedy sci/fi series being put together by my friend Fed, his friend Adam, Mr. Devon T. Coleman, and yours truly. I'll give you more details as production progresses, but we're hoping that the first episode might be available by late February or early March, at which point the aforementioned link will become active, and the wealthy among you can enjoy our shenanigans via your video iPod, the middle class can enjoy our shenanigans via your computers' Quicktime video programs, and the poor can enjoy distorted re-tellings of our shenanigans while huddled around the Tang-cooler.

In other news, I am irredemably self-obsessed.

*According to the Entertainment Weekly I read on the subway this morning.

Celebrating (to) the End

Last night's party to celebrate the end of Juvie Hall was pretty awesome, and shame on you if you didn't come.

"But Dan! I had work Tuesday morn..."

A-bup-bup-bup! You're dead to me.

The details are hazy (it was held in a bar), but I seem to remember doing a long interpretive dance, with intermittant short beverage breaks, with Autumn Clark, and having a lengthy argument with Eric Zuckerman, in which he took the role of Bob Hoskins and I essayed the role of Michael Caine.

You know, the usual annoying performer jackass stuff. But fun.

As for Juvie Hall, it will be sorely missed. Should auld acquaintance be forgot, etc. etc. But before it's gone forever, check out my last few posts, and come see me perform there this weekend.

And thank you Erik Marcisak for driving me home, so I need not brave the subways while cold, tired, and tipsy. Has the E train made its last exit to Brooklyn?

Mr. Big Shot

Say... was that Juvie Hall mainstay Eric Zuckerman in Steven Spielberg's big summer blockbuster War of the Worlds?



Why yes. Yes it was!